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D16 phoscyon based on full#
Phoscyon offers an unmatched sound together with advanced features such as a state of the art Distortion unit fully user configurable BPM sync'd Arpeggiator and Randomizer a unique Play Live mode vintage arrangement and pattern builder, full MIDI CC support and, to top it off, the most authentic 18db/oct low pass filter ever created! Diehard fans of the original Bass Line will be blown away with Phoscyon’s uncanny emulation of the classic, but will also marvel at the ease with which new sounds can be crafted sounds which were not possible on the original. The classic analog sound of the legendary silver box taken into the future Orders placed on Weekends or Holidays are processed the next business day.
D16 phoscyon based on code#
We can now start automating the cutoff frequency and experimenting further with the sequencer to develop the idea into a new track.DIGITAL DOWNLOAD: You will be emailed your purchased license code to activate your downloaded copy within 1-3 business days. Over in the DISTORTION section, we first activate the effect, then increase the PREAMP setting to half way and the CLIP to two thirds. This adds to that classic acid vibe.
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Now below in the SOUND CONTROL section, we crank the RESONANCE right up, pull down the CUT OFF FREQ (for automation at a later stage), take the SLIDE TIME down to halfway, and push up the ENVMOD to three quarters of the way round. On the top right of Phoscyon, we can browse different presets using the NEXT and PREV buttons.
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With our sequence created, we can now start tweaking other parameters of the synth to our liking. This creates that classic acid portamento effect when the sequence jumps up or down an octave. Step 11 – C, +1 Octave, Gate, Accent, Slideįor any of the steps where we change the octave, we make sure we activate the slide function. Step 10 – C, -1 Octave, Gate, Accent, Slide We then proceed to programme our 16 Step sequence with the following pattern: For Step 4, we keep the note set to C, turn on the gate and slide (but not the accent) and transpose it up by one octave. We program Step 2 with the same settings as Step 1, and again for Step 3 except for this step we move the note to F. Adding an accent means the note will play back slightly louder, which enables us to have some nice dynamics in the sequence. It’s a very similar setup to a real TB-303.įor Step 1, we keep the note as a C, turn on the GATE so the note triggers and also turn on the ACCENT for this step. To the right we can TRANSPOSE the note DOWN or UP by octave increments, and we also have three grey keys that trigger GATE, ACCENT and SLIDE. In order to program sequences in Phoscyon, we can first select the STEP NUMBER we want to edit (from 1-16), then select the note for that step using the keyboard. WRITE button, and also click the orange CLEAR button, this gives us an empty pattern to create our hook. We want to create our own pattern here, so in the PATTERN CONTROL & EDIT section, turn on the red PATT. SYNC and HOST MODE turned off, this means the internal sequencer will trigger the synth but it will sync to the host tempo of the DAW. Importantly, the Seq settings in the top left of the synth are set to INT.SEQ, with INT. By default, a pattern is already loaded and will trigger on playback. To get started, load an instance of Phoscyon in your DAW. However, many soft synths features built-in sequencers that can provide creativity of a different kind and sometimes present us with ideas we wouldn’t normally create using the keyboard.Įach built-in sequencer works differently, but in this walkthrough we’ll be using D16’s Phoscyon synth, a Roland TB-303 emulation, to create this acid-style hook: Step 1 When creating new synth melodies, most of us probably reach for the keyboard to get ideas down. 1 2 3 4 5 6 7 8 9 10 Using a Synth’s built-in sequencer TO creaTE melodies